The Seven-String Electric: From Jazz Bass Lines to Modern Metal
I. Origins: George Van Eps and the “Complete Guitar” (1938)The seven-string’s electric story begins not in metal, but in jazz orchestration.In 1938, Epiphone bu...
Read More →Expert articles on guitar sound, ear training, and tone mastery. Learn what 90% of guitarists never discover.
Today, coil-split and coil-tap switches are everywhere: from budget PRS SE model...
The Forgotten Ingredient in ’50s ToneIn the 1950s, Gibson’s stop tailpiece, that...
I. Origins: George Van Eps and the “Complete Guitar” (1938)The seven-string’s electric story begins not in metal, but in jazz orchestration.In 1938, Epiphone bu...
Read More →
When guitarists talk about “mojo,” they’re often referring to something intangible: feel, groove, attitude.But sometimes, mojo is mechanical.Keith Richards’ “Mi...
Read More →
Inside almost every electric guitar, hidden under the tone knob, lies a small, silent component that has launched decades of debate among tone purists: the tone...
Read More →
Every guitarist has hit that note that dies faster than the rest: the cursed dead spot. You hit a C♯ on your G string and instead of singing, it coughs and disa...
Read More →
Every guitarist has faced the question, usually at that dangerous late-night gear-browsing hour:Do I want a hot pickup that will drive my amp harder, or a vinta...
Read More →
Ever since boutique builders in the 1990s started stamping “TRUE BYPASS” on enclosures, players have been locked in a near-religious war over whether it is inhe...
Read More →
For decades, players have repeated a claim:“A heavier solid-body guitar will sustain longer and sound fuller than a lighter one.”It became near-dogma in the lat...
Read More →
“Red guitars are faster.”“Black Strats sound darker.”“Fiesta Red has mojo.”Most guitarists know these lines as running jokes. Yet like so many myths in guitar c...
Read More →
Most players think of guitar cables as plumbing: they just carry the signal from A to B. Tone nerds know better. That simple coil of copper is not a neutral mes...
Read More →
Some swear the single-coil pickup is the only path to real tone: bright, articulate, transparent. Others argue the humbucker solved its fatal flaw (hum) and add...
Read More →
In the late 1950s and early 1960s, many Gretsch hollowbody models (including the Country Gentleman and Tennessean) shipped with an unusual feature that players ...
Read More →
Instead of the old shim method (slipping business cards, sandpaper, or slivers of wood into the neck pocket to tilt the neck) Fender introduced the three-bolt n...
Read More →
The AssumptionIf you ask most guitarists whether they can tell a Stratocaster from a Les Paul, the answer is usually the same: “Of course.”The Fender vs. Gibson...
Read More →
👉 Watch the short clip. Don’t scroll past: actually listen.Then, lock in your guess:Fender StratocasterGibson Les PaulThe ChallengeWe argue about tone all day l...
Read More →
Walk into any vintage guitar shop and you will hear it whispered like gospel:“Nothing sounds like old wood.”To believers, decades of vibration, dried resins, an...
Read More →
Every guitarist says, “I know my tone.”But what if you could point to it on a map?That’s the idea behind the Electric Guitar Tone Map, a way to translate subjec...
Read More →
Every guitarist knows the Gibson PAF humbucker: the warm, fat, noise-free pickup that rewrote the sound of rock and jazz after 1957.But three years earlier, Set...
Read More →
Today, nearly every guitarist knows the ritual: pull up the knob, and suddenly your humbucker is a “single-coil.”It feels obvious now. Almost expected.But in th...
Read More →
The original plan (1954–1976)When the Strat launched in 1954, it came with a simple 3-way blade selector: neck, middle, or bridge pickup.That was it.Leo was an ...
Read More →
Walk into any guitar shop and you will see nuts everywhere. Bone, plastic, brass, graphite. But sometimes, the nut is not really the nut at all. On certain guit...
Read More →
At first glance, the Jaguar’s row of three slide switches looks like over-engineering.To many players, they remain an inscrutable quirk of Fender’s “offset” des...
Read More →
Gibson’s Big IdeaBy the late 1950s, Gibson had a reputation for refinement and technical sophistication. They had already introduced the humbucker in 1957, a ge...
Read More →
Before Leo Fender’s 1950 Broadcaster (later renamed the Telecaster) came a scattershot lineage of DIY inventors and visionary tinkerers. Some names are famous (...
Read More →
The electric guitar is an object of contradictions. It’s mass-produced yet deeply personal, industrial yet cultural, simple in its construction yet endlessly de...
Read More →
The Jangle We All KnowWhen you think of a twelve-string guitar, you probably imagine that wide, chiming sound, the wash of brightness that fills records by The ...
Read More →
Thick or thin—it doesn’t just change feel. It changes the way your guitar sounds.Thick Picks (2mm+)Stiff, no flex → all energy into the stringFuller, louder, wa...
Read More →
The Invisible Battle: Pickups vs. StringsYou know that strange, chorus-like wobble in a Strat? The one that isn’t your strings, your amp, or your playing.It’s S...
Read More →
The Problem: Hum, Stage, and ClarityIn the mid‑1950s, single‑coil guitar pickups ruled but the 60 Hz hum they picked up transformed live stages into noise zones...
Read More →
The Case for Pure NickelIn the 1950s, pure nickel was the default.It’s softer, less magnetic, and gives 2–3 dB less pickup output compared to steel.The result?L...
Read More →
When the Future Was Booed Off Stage: Gibson’s 1958 Flying V & ExplorerIn 1958, Gibson launched two guitars that looked like they came from outer space.The Flyin...
Read More →
Since 1976, few innovations in the guitar world have sparked as much division as the active pickup.Some call it a revolution. Others call it the death of “soul....
Read More →
For decades, nickel-silver has been the default fret material. Stainless steel is the shiny newcomer: harder, smoother, and nearly indestructible.Players swear ...
Read More →
Scatter-Wound Pickups: Perfection Through Imperfection?Some call it craft. Some call it chaos.But behind the debate lies a fascinating mix of physics and psycho...
Read More →
The Guitar Finish Debate, Settled at Last“Nitro always sounds better.”That might be the most stubborn myth in guitar tone.For decades, guitarists have argued ab...
Read More →
When most fans think of Jimi Hendrix and “Purple Haze,” they picture a white Stratocaster slung low, wah swirling, fuzz screaming.But here’s the twist: the famo...
Read More →
For decades, players have split into two camps. Vintage purists say potting suffocates tone. Modernists call unpotted pickups unplayable at stage volume.So whic...
Read More →
Few arguments in guitar history burn hotter than this one:Does tonewood really matter in solid-body electrics?Some players insist the pickups and amp do all the...
Read More →
Few debates in the guitar world are as persistent, or as misunderstood, as the one over pickup magnets.“AlNiCo II is warm.”“AlNiCo V is bright.”“Ceramic is hars...
Read More →
Ask any Tele player what they think of the neck pickup, and you’ll often hear the same complaint:“It’s too muddy.”But here’s the twist: Leo Fender designed it t...
Read More →
Far from being hype, roasting maple (a process also called torrefaction) measurably changes the properties of the wood. And those changes have a direct effect o...
Read More →
Every guitarist has heard the claims:“Jumbos made my guitar beefier.”“Vintage wire gave me clarity.”It’s one of those debates that never dies. But does fret siz...
Read More →
Every Strat player has a “come home” moment.For me, it happened this summer, after twenty years of tinkering with my 1976 Stratocaster. I had chased reliability...
Read More →
Guitarists love a good debate.Single coils vs. humbuckers.Tube vs. solid state.Analog vs. digital.But there’s one battlefield hiding in plain sight, quietly sha...
Read More →
The Fender Telecaster is known for two things: simplicity and twang.But for about one year, from mid-1958 to mid-1959, Leo Fender quietly altered a fundamental ...
Read More →
The Gibson Les Paul Standard and the Les Paul Custom share almost everything: scale length, pickups, bridge design. Yet they sound radically different. The reas...
Read More →
In the long history of guitar myths, few topics are as oddly persistent as the material of the nut.Bone. Brass. Synthetic polymers. Entire forums have argued ov...
Read More →
From ToneRite boxes clipped onto strings to blasting instruments in front of loudspeakers, an industry has emerged around the promise of “artificial aging.” The...
Read More →
Not with people this time. With guitars.Because if you’re a guitarist, you already know the truth:You don’t just own a guitar. You fall in love with one.And lik...
Read More →
Ask any group of Strat and Tele players about sustain, and you’ll hear two familiar claims:“Hardtails sustain forever.”“Tremolos suck energy.”The idea makes int...
Read More →
The Origins of the DebateThe idea took root in the 1950s. Gibson’s carved-top Les Paul was a glued-neck instrument, marketed as refined, elegant, and sustaining...
Read More →Get exclusive early access to the world's first guitar tone training app